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Canaletto and Melissa McGill: Performance and Panorama
16 July – 13 November 2022
An unprecedented new exhibition at The Lightbox gallery and museum will bring together the work of Italian master Canaletto (1697-1768) and contemporary interdisciplinary artist Melissa McGill (b.1969). These two renowned international artists share a profound connection and dedication to Venice, born 250 years apart.
Melissa McGill (b.1969), ‘Red Regatta (Coppa del Presidente della Repubblica, San Giorgio Maggiore)’, 2019. Archival pigment print. © Melissa McGill/ Mazzoleni, London – Torino.
The display will feature Canaletto’s highly detailed depictions of both Italy and England alongside Melissa McGill’s major independent public art project Red Regatta presented in Venice in collaboration with Associazione Vela al Terzo Venezia in 2019, co-organized by Magazzino Italian Art, curated by Chiara Spangaro with project manager Marcella Ferrari and with support from Mazzoleni, London – Torino.
The Lightbox is featuring these two artists’ reflective relationship with Venice and its unique qualities, sights, sounds, traditions and individuality. The exhibition will combine 20 paintings, prints and drawings by Canaletto and 16 works from Melissa McGill’s highly acclaimed Venice-based public art project Red Regatta. It will feature a documentary film, hand-painted photographic artist renderings, sound work, a glass installation and watercolours. A highlight is the installation of McGill’s Campo Box (Santa Maria Nova) from 2017, a sculptural sound work based on the iconic square Campo Santa Maria Nova. Taking the shape of the architectural footprint of this public space, the work activates the interplay between sound and visual memory, public and private space, visceral and physical experience, releasing a world of ambient sounds recorded there: snippets of conversation between neighbors, calls from passing working boats and gondoliers, children playing, footsteps. Set in a room surrounded by Canaletto works, it evokes the sound of Venice through time.
Whereas Canaletto is famed for his scenes that combine real and imagined spaces, and was collected by eighteenth century aristocrats, McGill is recognised through her ambitiously staged collaborative art projects that address environmental issues and are designed to spur real change. Red Regatta celebrates the city’s maritime history and calls attention to the forces of climate change and mass tourism that threaten its future. The body of work on view was created during different phases of Red Regatta’s timeline, as McGill considered the delicate and liminal relationship between Venice’s built and natural environments, between land and sea and between humanity and nature. Both artists engage intimately with the landscape of Venice, seemingly unchanged over hundreds of years, yet their distinctly different perspectives inspire new conversations about the city’s past, present and future.
Melissa McGill says “Canaletto is known for blending the real and imagined seamlessly. Red Regatta also blended the real and imagined, in the spirit of healing and collectively envisioning a more sustainable future for Venice…Canaletto’s vedute ideate (idealized views) are imbued with sunlight, shadows and atmospheric effects, creating a distinctive sense of site-specificity. To create my project renderings, I use a combination of painting and photography to center the connection between the artwork and the specificity of its environment–its colours, reflections and details- all in their own dialogue.”
“Canaletto gives us his vision of 18th century Italy and England, with an eye for compositional balance and a feel for dramatic effects. One of the most endearing qualities of Canaletto’s work is that he draws the viewer into the scene. Like Melissa McGill, the way Canaletto frames his work makes you feel part of the scene and you become a participant. It is one of the key elements of his style and has made him one of the most popular artists of the 18th century.” – Curator Michael Regan.
Canaletto and Melissa McGill: Performance and Panorama is on display at The Lightbox gallery and museum from 16 July – 13 November 2022. Find out more and pre-book tickets at thelightbox.org.uk
The 18th century painter and printmaker Giovanni Antonio Canal, known as Canaletto, was born in Venice, the son of a theatrical scene painter. He was very influential, famed for his precisely depicted and evocative views (vedute) of Venice, London and the English countryside. Canaletto’s early pictures for local patrons are his most accomplished. Canaletto was favoured by English collectors, he visited England repeatedly between 1746-56. He may have used a ‘camera obscura’ for topographical accuracy in creating some of his designs, but he always remained concerned with satisfying compositional design, not simply lavishly recording views.
About Melissa McGill
Melissa McGill is a New York based interdisciplinary artist known for ambitious, collaborative, site specific public art projects. They take the form of site-specific, immersive experiences that explore nuanced conversations between land, water, sustainable traditions, and the interconnectedness of all living things. At the heart of her work is a focus on community, meaningful shared experiences, and lasting impact. Spanning a variety of media including performance, photography, painting, drawing, sculpture, sound, light, video and immersive installation, McGill has presented both independent public art projects and solo exhibitions nationally and internationally since 1991.
McGill lived in Venice from 1991-93 and returns regularly for inspiration and work. Her project Red Regatta (2019) was inspired by her observations over more than two decades of the challenges Venice is facing given the impact of climate change and intense tourism. Melissa’s intimate knowledge of Venice and her deep personal and professional relationships in the city have made it possible for her to develop this ambitious project. She is particularly passionate about the collaborative aspect and the fact that Red Regatta involved many members of the local community. The project was intentionally designed to welcome the participation and enjoyment of local citizens and to honour their abiding love for their city. Her previous sculptural sound work, The Campi (2017) invoked daily life in the Venetian Campo and was presented at Carlo Scarpa’s Casa/Studio Scatturin, Università Iuav di Venezia and Giorgio Mastinu Fine Art in Venice, Italy. Constellation (2015-2017) installed on an island in the Hudson River, New York, lit each night creating a new constellation transforming Bannerman castle ruin. McGill has exhibited her artwork nationally and internationally since 1991, including solo and groups exhibitions at Mazzoleni, London – Torino; Magazzino Italian Art, Cold Spring (NY); The Permanent Mission of Italy at the United Nations, New York; TOTAH, New York; White Cube, London; Power House, Memphis; Palazzo Capello, Venice; CRG Gallery, New York, Zabludowicz Collection, London; Norrtalje Konsthall, Norrtalje (Sweden); Museum van Hedendaagse Kunst, Ghent (Belgium). Mazzoleni, London – Torino officially represents Melissa McGill in Europe and Asia.
The Lightbox gallery and museum
Contact Details: For all press enquiries and high resolution images please contact Aisling Bradley, email Aisling.firstname.lastname@example.org phone 01483 737800
Visitor Information: The Lightbox is situated in Woking (25 minutes from London Waterloo by train) and the galleries are open Tuesday, Wednesday, Thursday*, Friday, Saturday 10.30am – 5.00pm, *Last
Thursday of the month 10.30am – 8.30pm and Sunday 11.00am – 4.00pm. For more information and Café opening hours please visit www.thelightbox.org.uk or call 01483 737800.
Free entry, entrance to temporary exhibitions only with a Day Pass. Lightbox Members and under 21s visit free. Tickets available to pre-book online thelightbox.org.uk
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All events can be booked via thelightbox.org.uk
Behind the Scenes Tours
20 July and 14 September, 9:45-10:30am
Join a Member of the Exhibitions Team for a private tour of Canaletto and Melissa McGill: Performance and Panorama, discussing artworks on display and how the exhibition was curated. Advance booking required.
£10 Adults ● £8 Lightbox Members
Canaletto at the National Gallery
21 July, 7.00pm – 8.00pm. Doors open at 6.30pm
More than 250 years after his death, the mention of Canaletto’s name immediately evokes the image of grand Venetian palaces and dazzling canals. Thanks in part to the Grand Tourists who brought so many of them back to Britain, the National Gallery holds one of the world’s great collections of Canaletto’s paintings. Looking closely at these iconic depictions of Venice, this talk will explore the artist’s life and work through the prism of our national collection. Dr Francesca Whitlum-Cooper is The Myojin-Nadar Associate Curator of Paintings at The National Gallery, London, where she works on 17th and 18th -century paintings and has curated the exhibitions Poussin and the Dance (2021), Boilly: Scenes of Parisian Life (2019) and Cagnacci’s Repentant Magdalene: A Baroque Masterpiece from the Norton Simon Museum (2017).
£12 Adults • £10 Lightbox Members