• This photographic series was taken during the Red Regattas that sailed on September 1 and 15, 2019, both during opening events to important Venetian traditions– on September 1st Red Regatta for the Regata Storica, a huge annual historical regatta and September 15th for the Regata di Burano, a centuries old traditional rowing regatta.  The reflected reds in the water, actually created pathways from every perspective. These were photographed from the artist’s point of view sailing in the boat at the water level which allows a perspective of the waves that feels very sculptural, in them, bathing in them. The TOTAH exhibition was accompanied by a new publication featuring works in the show, and a conversation between the artist and writer Ann McCoy.

  • Riflessi (Red Regatta – September 1, 2019), 2019. Digital Pigment Print (triptych),  54″ x 41″ each.

    Edition of 3, plus 2 AP

  • Riflessi (Red Regatta – September 15, 2019), 2019. Digital Pigment Print,  20″ x 30″each.

    Each is Edition of 3, plus 2 AP

  • Installation at TOTAH, New York, January 16-March 1, 2019.

  • Riflessi (Red Regatta – September 1, 2019), 2019. Digital Pigment Print,  16.5″ x 30″

    Edition of 3, plus 2 AP

Projects

  • Constellation

    Constellation was a large-scale sculptural project installed around the ruins of Bannerman’s Castle on Pollepel Island in the section of the Hudson River that passes through Hudson Highlands State Park. Every evening, as the sun went down, starry lights emerge one by one with the stars of the night sky, creating a new constellation and connecting past and present, light and dark, heaven and earth. The project launched in late June, 2015 and was on view through October 2017.

  • Call and Response

    It is a time of great change, and it is a time of listening deeply—to each other and to the sounds around us.  In our suddenly quieter world, the sound of the birds can now be heard more clearly.

    This online project invites you to stop and listen. Call and Response refers to the actual format of this project—my call and received responses from around the world—as well as themes of community, connection and conversation. 

     

  • Indian Point Nuclear Power Plant erased, replaced with blossoming cherry trees

    These digital renderings depict Melissa McGill’s proposal to erase the Indian Point Nuclear Power Plant and replace it with cherry trees.

  • Red Regatta

    Red Regatta was an independent public art project created by artist Melissa McGill that activated Venice’s lagoon and canals with four large-scale regattas of traditional vela al terzo sailboats hoisted with hand-painted red sails. Presented in collaboration with Associazione Vela al Terzo, curated by Chiara Spangaro, with project manager Marcella Ferrari, the project was co-organized by Magazzino Italian Art, with support from Mazzoleni.

  • Reverse Punctuation Constellations

    This series of two sided works on paper is a collaboration with writer Sam Anderson. He responded to Melissa McGill’s public art project, Constellation, with typewritten quotes and original pieces. McGill marked the typewritten pages with graphite, pastel, watercolor, Sumi Ink, and charcoal. Then, punching out the periods, punctuation, pauses and/or spaces in the written works with a Japanese hole punch, she created new constellations, illuminated when light shines through the pages. All are 8″ w x 11″ h.

     

  • The Campi

    A sculptural sound project

    Exploring the conversation between the visible and the invisible that defines public space, The Campi invokes daily life in five campi, the open, irregularly shaped public squares that serve as the historic heart of every Venetian neighborhood.

     

  • Belles

    The Belles forms are made from casts of the hollow interior spaces of 10 different female porcelain figurines. They are positive versions of these hidden empty spaces, which retain a faint and almost ghostly resemblance to their outer shells.

    As viewers move around the space to ring The Belles, the work activates the space sonorously. The bell’s sound is juxtaposed with the figure’s abstraction, resonating from the form it once held.

  • 100 Breaths

    This series of 100 works on paper is titled 100 Breaths (2016), shown here in a recent exhibition at David Weeks Studio . The artist made each drawing with her breath, blowing metal dust suspended in varnish to create drawings that refer to both geography and the body. The gold, copper and silver forms are highly responsive to ambient light and change throughout the day, as the light changes in the room. They flare up and soften as the viewer moves and looks at them from different angles.

  • Palmas

    Palmas activated the Quarry Pool and encircling paths at Manitoga: The Russel Wright Design Center. It was a two part project : A surround sound installation and a live performance. The work takes its name from the improvised, rhythmic clapping that is an integral part – the heartbeat – of Flamenco. Palmas animated the site aurally, inviting a heightened sense of awareness of the site’s landscape.

  • Slipside

    Slipside’s forms were created by casting the hollow interior spaces of ordinary, mass-market porcelain figurines. The results are positive versions of these empty spaces that possess a faint ghostly resemblance to their outer shells. The porcelain castings were made during two Arts/Industry residencies at Kohler in Wisconsin.

  • Between the Two

    This body of work explores mapping negative spaces and shadows in space with blown black glass and inky black rubber drawings.